Shitsuren Café (失恋カフェー)
Posted by l321 on 26 January 2009
失恋カフェー
At first I thought her rather relaxed pronounciation of 「たくさん」 as “tak usah”, which means “no need” in Indonesian/Malay ^_^
compose: TABO
lyric, singer: Sakamoto Maaya
arrange: Nakamura TAICHI
楽しかったなんて 本気で言ってるの
ムリしてたのは君のほうでしょ
優しすぎるとこが 逆に残酷って
気づいてないよね さいごまで
tanoshikatta nante, honki de itteru no
MURI shiteta no wa kimi no hou desho
yasashi sugiru toko ga, kyaku ni zankokutte
kidzuite nai yo ne, saigo made
ああ 君が他人より遠くなる
今日からなんて呼べばいいの
たくさん たくさん しあわせくれたね
何ができたの ねえ私は 大好きだった君に
aa, kimi ga tanin yori tooku naru
kyou kara nante yobeba ii no
takusan, takusan, shiawase kureta ne
nani ga dekita no, nee watashi wa, daisuki datta kimi ni
万有引力の法則にならって
引き合ったこと 覚えてるでしょ
映画が終わるように 余韻にひたって
出会いの場面をリフレインしてる
banyuu inryoku no hosoku ni naratte
hiki atta koto, oboeteru desho
eiga ga owaru you ni, yoin ni hitatte
deai no bamen wo RIFUREIN (refrain) shiteru
ああ 恋と夕日はいつもオレンジ
黄昏 見送ってるだけ
淡い 甘い 思い出になればいい
思いだすなら 笑っている私だけにしてね
aa, koi to yuuhi wa itsumo ORENJI (orange)
tasogare miokutteru dake
awai, amai, omoide ni nareba ii
omoidasu nara, waratte iru watashi dake ni shite ne
ああ 君が他人より遠くなる
今日まで 誰よりそばにいたのに
コーヒー飲んで立ち上がった 妙に明るいさよなら
おとなぶって微笑んで それじゃまたね、なんて
何か 何か 大事な何かを
君に 君に 伝えてないよ
aa, kimi ga tanin yori tooku naru
kyou made, dare yori soba ni ita no ni
KOOHII (coffee) nonde tachi agatta, myou ni akarui sayonara
otonabutte hohoende, sore jya mata ne, nante
nani ka, nani ka, daiji na nani ka wo
kimi ni, kimi ni, tsutaete nai yo
抱きしめたい 抱きしめたい もう一度だけ 抱きしめさせて
忘れないよ 忘れないよ さよなら 大好きだったひと
dakishimetai, dakishimetai, mou ichido dake, dakishimesasete
wasurenai yo, wasurenai yo, sayonara, daisuki datta hito
Guitar/Piano Chords (4/4)
* [Chord1 Chord2] means Chord1 and Chord2 have the length of half of the original length.
(intro)
CM7 . . [. B7] | B7 . . . | Em3 . . [. A7add2] | A7add2 . . . |
CM7 . . [. B7] | B7 . . . | Em3 . . [. A7add2] | A7add2 . . . |
(end intro)
CM7 . . [. B7+9] | B7+9 . . . | Em . . [. A] | A . . . |
CM7 . . [. B] | B . . . | Em7 . . [. A7] | A7 . . . |
CM7 . . [. B7+9] | B7+9 . . . | Em . . [. A] | A . . . |
CM7 . . [. B] | B . . . | Em7 . . [. E/G#] | E/G# . E . |
AM7 . B/A . | G#m . . . | F#m7 . B Cdim | C#m7 . D E |
AM7 . B/A . | G#m7 . C#7add2 . | F#m7 E/G# A [A#dim B] | x B . [. Cdim] |
C#m7 . . [E/C E/B] | E/B . . [. E7dim/A#] | E7dim/A# . . [. AM7] | AM7 [. G#7] . [. C#m] |
C#m7 . . [. E/B] | E/B . . [. E7dim/A#] | E7dim/A# [. AM7] . [. G#7] | x x x x |
(interlude)
CM7 . . [. B] | B . . . | Em . . [. A7] | A7 . . . |
CM7 . . [. B7] | B7 . . . | Em7 . . [. A7] | A7 . . . |
(end interlude)
CM7 . . [. B7+9] | B7+9 . . . | Em . . [. A] | A . . . |
CM7 . . [. B] | B . . . | Em7 . . [. A7] | A7 . . . |
CM7 . . [. B7+9] | B7+9 . . . | Em . . [. A] | A . . . |
CM7 . . [. B] | B . . . | Em7 . . [. E/G#] | E/G# . [. E] . |
AM7 . B/A . | G#m . . . | F#m7 . B Cdim | C#m7 . D E |
AM7 . B/A . | G#m7 . C#7add2 . | F#m7 E/G# A [A#dim B] | x B . [. Cdim] |
C#m7 . . [E/C E/B] | E/B . . [. E7dim/A#] | E7dim/A# . . [. AM7] | AM7 [. G#7] . [. C#m] |
C#m7 . . [. E/B] | E/B . . [. E7dim/A#] | E7dim/A# [. AM7] . [. G#7] | x x x x |
(interlude)
CM7 . . [. B7] | B7 . . . | Em7 . . [. A7] | A7 . . . |
CM7 . . [. B7] | B7 . . . | Em7 . . [. A7] | A7 . . . |
CM7 . . [. B] | B . . . | Em7 . . [. E/G#] | E/G# . . . |
(end interlude)
AM7 . B/A . | G#m7 . . . | F#m7 . B Cdim | C#m7 . D E |
AM7 . B/A . | G#m7 . C#7add2 . | F#m7 E/G# A [A#dim B] | x B . [. B/A#] |
AM7 . B/A . | G#m7 . . . | F#m7 . B Cdim | C#m7 . D E |
AM7 . B/A . | G#m7 . C#7add2 . | F#m7 E/G# A [A#dim B] | x B . [. Cdim] |
C#m7 . . [E/C E/B] | E/B . . [. E7dim/A#] | E7dim/A# . . [. AM7] | AM7 [. G#7] . [. C#m] |
C#m7 . . [. E/B] | E/B . . [. E7dim/A#] | E7dim/A# [. AM7] . [. G#7] | x x x x |
C#m7 . . [E/C E/B] | E/B . . [. E7dim/A#] | E7dim/A# . . [. AM7] | AM7 [. G#7] . [. C#m] |
C#m7 . . [. E/B] | E/B . . [. E7dim/A#] | E7dim/A# [. AM7] . [. G#7] | (rit.) x x x x | C#7
