L321 – Not So Random JPop Lyrics

This blog contains lyrics + chords of jpop songs I like

Away, etc.

Posted by l321 on 2 April 2010

Hey guys. Sorry for neglecting this blog for more than a year m-_-m Real life kicked in.

Thank you for all the support and the comments. I’ll try to take care of this blog once more, although it won’t be as frequent as it used to be (most likely once a month).

Ah yes, to people who moan, whine, complain, etc., how difficult the chords are and so on, please do me a favor. Please kindly refrain from commenting and try to look for other sites (maybe chordwiki or animechords is more useful to you). Clearly the “Notes” page, whose link is available on the top menu bar, is left unread.

I’ve just listened to Maaya’s Magic Number single and put out the chord transcription for Magic Number and Private Sky, and also updated the Pocket wo sora ni shite entry. I didn’t notice much difference in arrangement of Kazamidori, so I didn’t do any update to it. As always, if you found any mistakes, don’t hesitate to put in some comments. Enjoy!

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Posted in JPop | 1 Comment »

everywhere

Posted by l321 on 4 April 2010

everywhere

composer, lyricist, backing vocal: Sakamoto Maaya
acc. piano, arranger: Kouno Shin
drums: Sano Yasuo
bass: Ookanda Tomohiko
guitar: Ishinari Masato
strings: Kinbara Chieko Strings

ぼくが今向かう場所は そう遠くじゃない
1マイルの少し先 1光年の手前

boku ga ima mukau basho wa, sou tooku jya nai
ichi MAIRU no sukoshi saki, ichi kounen no temae

寂しそうに手を振らないで 笑顔で見送って
終わりじゃないぼくの旅のために
そっと ぎゅっと 抱きしめてくれないか

sabishi sou ni te wo furanai de, egao wo miokutte
owarijyanai boku no asobi no tame ni
sutto, gyutto, dakishimete kurenai ka

everywhere
帰る場所をずっと探してたけど それはすぐそばにあった
愛されるためにきっと 僕らは生まれてきたんだ
ふるさとはeverywhere

everywhere
kaeru basho wo zutto sagashiteta kedo, sore wa sugu soba ni atta
(everywhere) aisareru tame ni kitto, bokura wa umarete kita nda
furusa to wa everywhere

はじめて来たはずなのに 懐かしい景色
思い出せないメロディ なぜか優しい気持ち

hajimete kita hazu na no ni, natsukashii keshiki
omoi dase nai MERODI, naze ka yasashii kimochi

無限にある可能性の中 ほかの誰でもなく
ぼくがぼくを選んだその理由を
ずっとずっと 問い続けてるんだ

mugen ni aru kanousei no naka, hoka no dare demo naku
boku ga boku wo eranda sono wake wo
zutto zutto, toi tsudzuketeru nda

everywhere
うすむらさきの花と三日月 それが君と僕の色
逢いたいと思うとき もう僕らは一緒にいるんだ
再会はeverywhere

everywhere
usumurasaki no hana to mikadzuki, sore ga kimi to boku no iro
(everywhere) aitai to omou toki, mou bokura wa issho ni iru nda
saikai wa everywhere

everywhere
ぼくが今向かう場所は そう遠くじゃない
1マイルの少し先
すべてがそこへ帰るんだ
ふるさとはeverywhere
帰る場所をずっと探してたけど それはすぐそばにあった
愛されるためにきっと 僕らは生まれてきたんだ
ふるさとはeverywhere

everywhere
boku ga ima mukau basho wa, sou tooku jya nai
(everywhere) ichi MAIRU no sukoshi saki
subete ga soko e kaeru nda
furusa to wa everywhere
kaeru basho wo zutto sagashiteta kedo, sorea wa sugu soba ni atta
(everywhere) aisareru tame ni kitto, bokura wa umarete kita nda
furusa to wa everywhere

(I’ll be there and everywhere)
(everywhere) (I’ll be there and everywhere)
(everywhere)
(I’ll be there and everywhere)
(everywhere) (I’ll be there and everywhere)

(everywhere)

Piano/Guitar Chords (4/4)

(intro – piano/strings)
C#sus4 . . . | C#sus4 . . . | C#sus4 . . . | C#sus4 . . . |
C#sus4 . . . | C#sus4 . . . | C#sus4 . . . | C#sus4 . . . |
(end intro)

C#sus4 . . . | Fm7add9 . . . | F#sus2 . . . | G#sus4add3 . . . |
C#sus4add9 . . . | Fm7add9 . . . | F#sus2 . . . | G#sus4add3 . Adim7 F7/A |

A#m . . . | A#m . C#/G# . | Gdim [. F#add2] . . | F#5add7 . . . |
A#m7add2 . . . | A#m7 . C#/B . | D#sus4 [. F#] . . | F# . F#M7add9 . |
B [. C#] . . | D#m7 [. A#m7] [. BM7] . | BM7add9 . . . |

C#add9 . . . |
Fm7 . Bm7 A# | Gdim [. F#add2] . [. C#/F] | D#m7 . F#/G# F#dim/A |
A#m7 . . . | G#m7 . C#7 . | F#add2 [. C#/F] . . | BM7 [. F#add2] . . | BM7 [. D#m7] [. A#m7] . |
BM7 . . G#7 |

(filling)
A#m7 [. C#/G#] . . | D#7/G . . . | A#m7 [. C#/G#] . . | D#7/G . . . |
F#add2 . . . | C#add2/F . . . | A#dim7 . . . | G# [. F#/G#] . F#m/G# |
(end filling)

C#add2 . . . | C#add2/F . . . | G#sus4/F# . . . | G#sus4 . . . |
C#add2 . . . | C#add2/F . . . | G#sus4/F# . . . | G#sus4 [. F7/A] . . |

A#m7 . . . | A#m7 . C#/G# . | Gdim7 [. F#M9] . . | F#M9 . . . |
A#m7add2 . . . | A#m7 . C#/B . | D#sus4 [. F#M9] . . | F#M9 . . . |
BM7 [. C#add2] . . | D#m7 [. A#m7] [. BM7] . | BM7add9 . . G#7/C |

C#add9 . . . |
Fm7 . Bm7 A# | Gdim [. F#add2] . [. C#/F] | D#m7 . F#/G# F#dim/A |
A#m7 . . . | G#m7 . C# . | F#add2 [. C#/F] . . | BM7 [. F#add2] . . | BM7 [. D#m7] [. A#m7] . |
BM7 . . G#7 |

(filling)
A#m7 [. A#dim7] . . | G#m7 [. G#m7/D#] . G#mM7/D# | F#M7 . . . | Fm7 . A#m7 . |
D#m7 . . . | C#/F . . . | F#add2 . . . | F#add/G# . . . |
(end filling)

C#add9 . . . |
Fm . Bm7 A# | Gdim [. F#sus2] . [. C#/F] | D#m7 . F#/G# F#dim/A |
A#m7 . . . | G#m7 . C#7 . | F#M7 [. C#/F] . . |
BM7 [. F#add2] . . | BM7 [. D#m7] [. A#m7] . |
BM7 . . G#7 |
C#add9 . . . | Fm7 . Bm7 A# | Gdim [. F#M7add2] . [. C#/F] | D#m7 . F#/G# F#dim/A |
A#m7 . . . | G#m7 . C#7 . | F#add2 [. C#/F] . . | BM7 [. F#M7add2] . . | BM7 [. D#m7] [. A#m7] . |
BM7 . . G# |

(ending)
C#add9 . . . | Fm7 . Bm7 A# | Gdim [. F#add2] . [. C#/F] | D#m7 . F#/G# F#dim/A |
A#m7 . . . | G#m7 . C#7 . | F#add2 [. C#/F] . . | BM7 [. F#add2] . . | BM7 [. D#m7] [. A#m7] . |
BM7 . . G# |
C#add9 . . . | Fm7 . Bm7 A# | Gdim [. F#add2] . (fade out) [. C#/F] | D#m7 . F#/G# F#dim/A |
A#m7 . . . | G#m7 . C#7 . | F#add2 [. C#/F] . . | BM7 [. F#add2] . . | BM7 [. D#m7] [. A#m7] . |

Posted in JPop, Sakamoto Maaya | Tagged: , , | Leave a Comment »

Private Sky

Posted by l321 on 2 April 2010

Private Sky

guitar, backing vocal, composer: Tabo Kouichi
backing vocal, vocoder, lyricist: Sakamoto Maaya
guitar, programming, arranger: Nakamura TAICHI
drums: Tamada Toyohiko
bass: Yamaguchi Hiroo

飛びたい 跳ねたい 目と目で落ち合えばまほろば
触れたい 超えたい 夢じゃないと言ってほしい

tobitai, hanetai, me to me de ochiaeba mahoroba
furetai, koetai, yume jyanai to itte hoshii

切ないってなに? 愛おしいってなあに? 繋がってるって?
こういうこと? let me know let me go

setsunai tte nani? itooshii tte naani? tsunagatteru tte?
kou iu koto? let me know, let me go

You’ll be my boyfriend I’ll be your girlfriend
胸、騒いでる
You’ll be my boyfriend I’ll be your girlfriend
時、止まっている
I know, I do
I know, I do

You’ll be my boyfriend, I’ll be your girlfriend
mune, sawaideru
You’ll be my boyfriend, I’ll be your girlfriend
toki, tomatte iru
I I I I know, I I I I do
I I I I know, I I I I do

押せない 引けない いきなり行き止まり ひだまり
見せたい あげたい いつでも言葉じゃ足りない

osenai, hikenai, ikinari yukidomari, hidamari
misetai, agetai, itsu demo kotoba jya tarinai

優しいってなに? かっこいいってなあに? ほんとの愛って?
見てみたいのよ tell me how, tell me why

yasashii tte nani? kakkoi itte naani? honto no ai tte?
mite mitai no yo, tell me how, tell me why

You’ll be boy friend I’ll be your girlfriend
見失っている
You’ll be boy friend I’ll be your girlfriend
わかりきっている
I know, I do
I know, I do

You’ll be my boyfriend, I’ll be your girlfriend
miushinatte iru
You’ll be my boyfriend, I’ll be your girlfriend
wakarikitte iru
I, I, I, I know, I, I, I, I do
I, I, I, I know, I, I, I, I do

古代の時代に始まった エゴとエソラとエニシの神話
今さらもう何も もう誰も もう引き返せない
このまま take me to your private sky

kodai no jidai ni hajimatta, EGO to ESORA to ENISHI no shinwa
imasara mou nani mo, mou dare mo, mou hikikaesenai
kono mama, take me to your private sky

You’ll be boy friend I’ll be your girlfriend
羽根が生えてくる
You’ll be boy friend I’ll be your girlfriend
星に乗ってクルーズ
don’t break it
don’t break it
don’t break it
don’t break it

You’ll be my boyfriend, I’ll be your girlfriend
hane ga haetekuru
You’ll be my boyfriend, I’ll be your girlfriend
hoshi ni notte KURUUZU
don’t, don’t, don’t, don’t break it
don’t, don’t, don’t, don’t break it
don’t, don’t, don’t, don’t break it
don’t, don’t, don’t, don’t break it

(background)
I I I I know, I I I I do
I I I I know, I I I I do
I I I I know, I I I I do
I I I I know, I I I I do

Piano/Guitar Chords (2/2)

* [Chord1 Chord2] means the length of both chords is half of the combined length
* guitar patterns in background
Pattern 1 (4 bars)
——————
[[E3 E3] [E3 E2]] [[E2 E2] [E3 E3]] | [[E3 E3] [E2 E2] [[E2 E2] [E3 E3]] |
[[E5 E5] [E5 E4]] [[E4 E4] [C#3- C#3-]] | [[C4+ C4+] [C4+ C4+]] [[C4+ C5] [C4+ C3]] |

Pattern 2 (2 bars)
——————
[[E8 E8] [D8 E8]] [[. E8] [D8 E8]] | [[. E8] [D8 E8]] [[F#8 G#8] [F#8 .]] |

(intro)
(pattern 1 on) x x | x x | x x | x x | x x | x x | x x | x x |
E . | E/G# . | A . | C [[. D] .] | E . | E/G# . | A . | C [[. D] .] | (pattern 1 off)
(end intro)

E0 . | G#0 . | A0 . | C0 [[. D0] .] |
E0 . | G#0 . | A0 . | C0 [[. D0] .] |

E0 . | G#0 . | A0 . | B0 . |
C#0 . | G#0 . | A0 . | C0 D0 |

(pattern 1 on) E . | G#m/D# . |
A . | C [[. D] .] |
E . | G#m/D# . |
A . | C [[. D] .] |
(pattern 1 off) C#m [. A] | [[. B] .] E | F#7 [. A] | [[. C] .] B |
C#m [. A] | [[. B] .] E | F#7 [. A] | [[. C] .] D |

(filling)
(pattern 1 on) x x | x x | x x | x x | E . | E/G# . | A . | C [[. D] .] |
(end filling)

E0 . | G#0 . | A0 . | C0 [[. D0] .] |
E0 . | G#0 . | A0 . |C0 [[. D0] .] |

E0 . | G#0 . | A0 . | B0 . |
C#0 . | G#0 . | (pattern 1 off) Asus2 . | C D |

(pattern 1 on) E . | G#m/D# . |
A . | C [[. D] .] |
E . | G#m/D# . |
A . | C [[. D] .] |
(pattern 1 off) C#m [. A] | [[. B] .] E | F#7 [. A] | [[. C] .] B |
C#m [. A] | [[. B] .] E | F#7 [. A] | [[. C] .] D |

(filling)
(pattern 2 on)
x x | x x | x x | x x |
x x | x x | x x | x x |
(end filling)

Em . | Em . | Em . | Em . | Em . | Em . | Em . | Em . |
CM7 . | D . | Em . | Em . |
CM7 . | Am7 . | (pattern 2 off) Bsus4 . | B . | Bsus4 . | B . |

(bridge)
C#m [. [. A]] | A D | E [. [. Bsus4]] | Bsus4 E/B |
C#m [. [. A]] | A D | E [. [. Bsus4]] | Bsus4 E/B |
C#m [. [. A]] | A D | E [. [. Bsus4]] | Bsus4 E/B |
C#m [. [. A]] | A . | F#m7 . | . . |
B [. [. B0]] | [[B0 C0] [. C#0]] [[. D0] [. D#0]] |
(end bridge)

x [[B/E E] .] | x [[B/E E] .] |
A . | C [[. D] .] |
E . | G#m/D# . |
A . | C [[. D] .] |
C#m [. A] | [[. B] .] E |
F#7 [. A] | [[. C] .] B |
C#m [. A] | [[. B] .] E |
F#7 [. A] | [[. C] .] D |

C#m [. A] | [[. B] .] E | F#7 [. A] | [[. C] .] B |
C#m [. A] | [[. B] .] E | F#7 [. A] | [[. C] .] D |
(pattern 1 on) E . | E/G# . | A . | C [[. D] .] |
E . | E/G# . | A . | C [[. D] .] |

Posted in JPop, Sakamoto Maaya | Tagged: , , , | Leave a Comment »

Magic Number (マジックナンバー)

Posted by l321 on 2 April 2010

マジックナンバー

composer, arranger: Kitagawa Katsutoshi
string arranger, piano: Kouno Shin
lyricist, singer, backing vocal: Sakamoto Maaya
drums: Sano Yasuo
bass: Mikudzuki Chiharu
guitar: Imamori Tsuneo
percussion: Misawa Matarou
programming: Hase Yasuhiro
strings: Gen Ittetsu Strings

どうすればいいんだっけ
あたりまえのことっていつも難しいな
嬉しいとき笑って
好きなときに歌いたいだけなのに

dore sureba iin dakke
atarimae no koto tte itsumo muzukashii na
ureshii toki waratte
sukina toki ni utaitai dake na no ni

いつか願いは叶うと
でもいつかってどれくらい?
待ちきれないよ

itsuka negai wa kanau to
demo itsuka tte dore kurai?
machi kire nai yo

123!の合図で両手広げて 全身にひかりを集めて
どこにあるの 教えて私にできること
めいっぱい傷ついて せいいっぱい走って
何十回転んで 泣いて それでもまだ
あきれるくらい 明日を信じてる

one two three! no aizu de ryoute hirogete, zenshin ni hikari wo atsumete
doko ni aru no, oshiete watashi ni dekiru koto
meippai kizutsuite, seippai hashitte
nan jyukkai koronde, naite, sore demo mada
akireru kurai, ashita wo shinjiteru

ひとりになりたくて
少しだけ遠回りした 帰りの道
会いたい人の顔
いくつか浮かんで 雲の中に消えた

hitori ni naritakute
sukoshi dake toomawarishita, kaeri no michi
aitai hito no kao
ikutsu ga ukande, kumo no naka ni kieta

あの日交わしたことばが
今ごろスッとしみ込んで
少し痛いよ

ano hi kawashita kotoba ga
ima goro SUTto shimi konde
sukoshi itai yo

123! ひとつずつ扉たたいて もう一回胸に問いかけて
探してるの 本当に私がしたいこと
めいっぱい背伸びした反動でよろけて
何十回振り出しに戻って クタクタでも
そんな自分も 好きでいてあげたい

one two three! hitotsuzutsu tobira tataite, mou ikkai mune ni toikakete
sagashiteru no, hontou ni watashi ga shitai koto
meippai senobishita handou de yorokete
nan jyukkai furidashi ni modotte, KUTAKUTA demo
sonna jibun mo, suki de ite agetai

苦しくて 苦しくて
息ができなくなるときも
止まれない 止まりたくない ぜんぶ見届けるまで

kurushikute, kurushikute
iki ga dekinaku naru toki mo
tomarenai, tomaritakunai, zenbu mitodokeru made

123!の合図で空を見上げて 同じ星きみも見てて
感じてるよ ひとりだけどひとりじゃないって
めいいっぱい傷ついて せいいっぱい走って
何十回転んで 泣いて それでもまだ
あきれるくらい 明日を信じてる

one two three! no aizu de sora wo miagete, onaji hoshi kimi mo mite te
kanjiteru yo, hitori dakedo hitori jyanai tte
meippai kizutsuite, seippai hashitte
nan jyukkai koronde, naite, sore demo mada
akireru kurai, ashita wo shinjiteru

Piano/Guitar Chords (4/4)

* [Chord1 Chord2] means the length of both chords is half of the combined length

(intro)
x | DbM7 [. [. AbM9]] . . | [Bbm7 [. C7]] [. [. Fm7]] [. [. Ebm7]] [[. Ab7/Eb] .] |
DbM7 [. AbM9] . . | [Bbm7 [. Cm7]] [. [. DbM7]] [. [. Db/Eb]] . | (1/4) Db/Eb |
(end intro)

AbM7 . . . |
FmM9 . . . | Cm7 . . . | [Db [. Ab/Db]] [. Db] [[. Ab/Db] .] [Db Eb/Db] |
AbM7 . . . |
FmM9 . . . | Cm7 . . . | DbM7 . . . |

Fm7 . . . | Bb7 . . . |
Db [. [. AbM7/C]] . . |
Bbm7 [. [. Db/Eb]] . . | (1/4) Db/Eb |

Ab . . . | Abaug . . . | Fm/Ab . . . | Ab7 . . [. [. DbM7]] |
DbM7 [. [. Cm7]] . . | Bbm7 [. [. Db/Eb]] . . |
Ab . . . | Abaug . . . |
Fm/Ab . . . | Ab7 . . . |
DbM7 [. [. AbM7/C]] . . | [Bbm7 [. Cm7]] [. [. DbM7]] [. [. Db/Eb]] . | Db/Eb . . . |

(filling)
DbM7 [. [. AbM9]] . . | [Bbm7 [. C7]] [. [. Fm7]] [. [. Ebm7]] [[. Ab7/Eb] .] |
DbM7 [. AbM9] . . | [Bbm7 [. Cm7]] [. [. DbM7]] [. [. Db/Eb]] . | DbM7/Eb . . . |
(end filling)

AbM7 . . . |
FmM9 . . . | Cm7 . . . | [Db [. Ab/Db]] [. Db] [[. Ab/Db] .] [Db Eb/Db] |
AbM7 . . . |
FmM9 . . . | Cm7 . . . | DbM7 . . . |

Fm7 . . . | Bb7add9 . . . |
Db [. [. AbM7/C]] . . |
Bbm7 [. [. Db/Eb]] . . | (1/4) Db/Eb |

Ab . . . | Abaug . . . | Fm/Ab . . . | Ab7 . . [. [. DbM7]] |
DbM7 [. [. Cm7]] . [. [. Bbm7]] | Bbm7 [. [. Db/Eb]] . . |
Ab . . . | Abaug . . . |
Fm/Ab . . . | Ab7 . . [. [. DbM7]] |
DbM7 [. [. Ab/C]] . . | [Bbm7 [. Cm7]] [. [. DbM7]] [. [. Db/Eb]] . | Db/Eb . . . |

DbM7 . . . | Eb7/Db . . . |
Cm7 . . . | FM9 . . . |
DbM7 . . . | Eb7/Db . . . | Cm7 . . . | [Bbm7 [. Cm7]] [. [. DbM7]] [. [. Db/Eb]] . |

(bridge)
Ab . . . | Abaug . . . | Fm/Ab . . . | Ab7 . . . |
DbM7 [. [. Cm7]] . . | Bbm7 [. [. Db/Eb]] . . |
Ab . . . | Abaug . . . | Fm/Ab . . . | Ab7 . . . |
DbM7 . . . | Db/Eb . . . |
(end bridge)

AbM7 . . . | Abaug . . . | Fm/Ab . . . | Ab7 . . [. [. DbM7]] |
DbM7 [. [. Cm7]] . . | Bbm7 [. [. Db/Eb]] . . |
Ab . . . | Abaug . . . | Fm/Ab . . . | Ab7 . . . |
DbM7 [. [. Ab/C]] . . | [Bbm7 [. Cm7]] [. [. DbM7]] [. [. Db/Eb]] . | Db/Eb . . . |

(ending)
DbM7 [. [DbM7 AbM9]] . . | [Bbm7 [. C7]] [. [. Fm7]] [. [. Ebm7]] [[. Ab7/Eb] .] |
DbM7 [. AbM9] . . | [Bbm7 [. Cm7]] [. [. DbM7]] [. [. Db/Eb]] . |
DbM7 [. [DbM7 AbM9]] . . | [Bbm7 [. C7]] [. [. Fm7]] [. [. Ebm7]] [[. Ab7/Eb] .] |
DbM7 [. AbM9] . . | [Bbm7 [. Cm7]] [. [. DbM7]] [. [. Db/Eb]] . | AbM7 . . .

Posted in JPop, Sakamoto Maaya | Tagged: , , , | Leave a Comment »

POKETTO wo Kara ni Shite (ポケットを空にして)

Posted by l321 on 2 April 2010

ポケットを空にして

compose, arrange: Kanno Youko
lyric: Iwasato Yuuho
keyboard: Kanno Youko
drums: Miyata Shigeo
bass, mandolin: Watanabe Hitoshi
acc. guitar: Furukawa Masayoshi
percussion: Okabe Youichi
synthesizer: Urata Keishi, Sakamoto Shunsuke

(* “We are Kazeyomi” live version *)
arrange, keyboard: Kouno Shin
guitar, backing vocal: Ishinari Masato
percussion, backing vocal: Misawa Izumi
percussion: Sano Yasuo, Ookanda Tomohiko

風が変われば僕の道さえ
少しはましになるだろう
「豊かさが君たちをダメにする」
なんて知ったこっちゃない

kaze ga kawareba boku no michi sae
sukoshi wa mashi ni naru darou
“yutakasa ga kimitachi wo DAME ni suru”
nante shitta kocchanai

夢の法則など何処にもないはずさ

yume no housoku nado doko ni mo nai hazu sa

ポケットを空にしてさあ旅に出ようよ
目当ても何もないけれど
すぐ、ポケットを空にしてさあ旅に出ようよ
みだらな気持ち ぶらさげて

POKETTO wo kara ni shite, saa tabi ni deyou yo
meate mo nani mo nai keredo
sugu, POKETTO wo kara ni shite, saa tabi ni deyou yo
midarina kimochi burasagete

草むらに寝ころんで
逆さの星くず目を凝らしてた
流れ星見つけたよ
でも願い事がわからない

kusamura ni nekoronde
sakasa no hoshi kuzu, me wo korashiteta
nagareboshi mitsuketa yo
demo negaigoto ga wakaranai

人を愛すること 生きてくこと 死ぬこと

hito wo aisuru koto, ikiteku koto, shinu koto

ポケットを空にしてさあ旅に出ようよ
目当ても何もないけれど
すぐ、ポケットを空にしてさあ旅に出ようよ
みだらな気持ち ぶらさげて

POKETTO wo kara ni shite, saa tabi ni deyou yo
meate mo nani mo nai keredo
sugu, POKETTO wo kara ni shite, saa tabi ni deyou yo
midarana kimochi burasagete

ななななななななななななななな
なななななななななな
ななななななななななななななな
なななななななな

(* This becomes la la la in “We are Kazeyomi” live version *)

na na na na na na na na na na na na na na na
na na na na na na na na na na
na na na na na na na na na na na na na na na
na na na na na na na na

ポケットを空にしてさあ旅に出ようよ
目当ても何もないけれど
すぐ、ポケットを空にしてさあ旅に出ようよ
みだらな気持ち ぶらさげて

POKETTO wo kara ni shite, saa tabi ni deyou yo
meate mo nani mo nai keredo
sugu, POKETTO wo kara ni shite saa, tabi ni deyou yo
midarana kimochi burasagete

こんな架空の運命
壊して明日へ旅立つ僕ら
ブリキの街をあとに
高くその旗を振りかざせ

konna kakuu no unmei
kowashite ashita e tabidatsu bokura
BURIKI no machi wo ato ni
takaku sono hata wo furikazase

振りかざせ

furikazase

Guitar/Ukulele/Piano Chords (4/4)

* [Chord1 Chord2 Chord3]: the length of Chord1 and Chord2 are 3/16 and of Chord3 is 1/8
* [Chord1 Chord2] means the length of both chords is half of the combined length

(intro)
Cadd2 . . Csus4add2 | Cadd2 . . Csus4add2 | Cadd2 . . Csus4add2 | Cadd2 . . Csus4add2 |
Cadd2 . . Csus4add2 | Cadd2 . . Csus4add2 | Cadd2 . . Csus4add2 | Cadd2 . . Csus4add2 |
(end intro)

Cadd2 . Em7/B . | Am7 . CM7/G . |
FM7 . C/E . | FM7/D . Dm7/G . |
Cadd2 . Em7/B . | Am7 . CM7/G . |
FM7 . Bbsus2 . | [Fadd2 F/G C] . . |

Abadd2 . Bb7/Ab . | Gm7 . Cm7 . | Fm7 . Gm7 . | Csus4 . C [C G/B] |

Am7 . CM7/G . | FM7 . C . |
Am7 . D9 . | Dm7/G . . G#dim7 |
Am7 . CM7/G . | FM7 . C . |
Am7 . D9 . | Dm7/G . G . |

Cadd2 . Em7/B . | Am7 . CM7/G . |
FM7 . C/E . | FM7/D . Dm7/G . |
Cadd2 . Em7/B . | Am7 . CM7/G . |
FM7 . Bbsus2 . | [Fadd2 F/G C] . Cmadd2 |

(interlude)
[Fadd2 F/Bb C] . . |
Cadd2 . Em7/B . | Am7 . CM7/G . | FM7 . C/E . | FM7/D . Dm7/G . |
Cadd2 . Em7/B . | Am7 . CM7/G . | FM7 . Bbsus2 . | [Fadd2 F/G C] . . |
(end interlude)

Abadd2 . Bb7/Ab . | Gm7 . Cm7 . | Fm7 . Gm7 . | Bb/C . C [C G/B] |

Am7 . CM7/G . | FM7 . C . |
Am7 . D9 . | Dm7/G . . G#dim7 |
Am7 . CM7/G . | FM7 . C . |
Am7 . D9 . | Dm7/G . G . |

Eb . Bb/D . | Cm . Bb . |
AbM7 . Eb/G . | AbM7/F . Fm7/Bb . |
Eb . Bb/D . | Cm . Bb . |
AbM7 . Eb/G . | [Fadd2 F/G C] . [C G/B] |

Am7 . CM7/G . | FM7 . C . |
Am7 . D9 . | Dm7/G . . G#dim7 |
Am7 . CM7/G . | FM7 . C . |
Am7 . D9 . | Dm7/G . G . |

(filler)
Dm7/G . G . |
(end filler)

Cadd2 . Em7/B . | Am7 . CM7/G . |
FM7 . C/E . | FM7/D . Dm7/G . |
Cadd2 . Em7/B . | Am7 . CM7/G . |
FM7 . Bbsus2 . | [Fadd2 F/G C] . . |

(filler)
[Fadd2 F/G C] . Cm7add2 |
(end filler)

[Fadd2 F/Bb C] . C6 |

(ending)
[Fadd2 Bb Cadd2]

(* “We are Kazeyomi” live version *)

(a capella 8 bars of the refrain)
x x x x | x x x x |
x x x x | x x x x |
x x x x | x x x x |
x x x x | x x [. G] . |

(filling)
C [. Csus4] . [[. C] [Cadd2 .]] | C [. Cadd4] . [[. C] [Cadd2 .]] |
C [. Cadd4] . [[. C] [Cadd2 .]] | C [. Cadd4] . [[. C] [Cadd2 .]] |
(end filling)

C . G/B . | Am . C/G . |
FM7 . CM7 . | Dm7 . Gsus4 G |
C . Em7/B . | Am . C/G . |
FM7 . BbM7 . | [F F/G C] . . |

AbM7 . Bb7/Ab . | Gm7 . Cm7 . | Fm7 . Gm7 . | Bb/C . C [C G/B] |

Am . CM7/G . | FM7 . C [C G/B] |
Am . C/D D | F/G G F/A E7/B |
Am . CM7/G . | FM7 . C [C G/B] |
Am . C/D D | F/G . G . |

C . G/B . | Am . C/G . |
FM7 . C . | Dm7 . Gsus4 G |
C . Em7/B . | Am x C/G . |
FM7 . BbM7 . | [F F/G C] . . |

(filling)
[F BbM7 C] . . |
C . Em7/B . | Am . C/G . |
FM7 . C . | Dm7 . Dm7/G G |
C . Em7/B E | Am . C/G . |
FM7 . BbM7 . | [F F/G C] . . |
(end filling)

AbM7 . Bb7/Ab . | Gm7 . Cm7 . | Fm7 . Gm7 . | Bb/C . C [C G/B] |

Am . CM7/G . | FM7 . C [C G/B] |
Am . C/D D | F/G . G E7/B |
Am . CM7/G x | FM7 x C [C G/B] |
Am . C/D D | F/G . G . |

Eb . Bb/D . | Cm7 . x x |
x x x x | x x x Bb |
Eb x x x | x x x x |
AbM7 . Eb/G . | [F F/G C] . [C G/B] |

Am . CM7/G . | FM7 . C [C G/B] |
Am . C/D D | F/G G F/A E7/B |
Am . CM7/G . | FM7 . C [C G/B] |
Am . C/D D | F/G . G . | F/G . G . |

Cadd2 . G/B . | Am . C/G . |
FM7 . C/E . | Dm7 . [G3 A3-/G] B3-/G |
Cadd2 . G/B . | Am . C/G . |
FM7 . BbM7 . | [F F/G C] . . | [F F/G C] . . |

[F Bb C] . . | (rit.) [F Bb C]

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